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Foreword | ||
Preface | ||
1 | The Nature and Kinds of Oral Literature | 1 |
2 | Oral Traditional Lyric Poetry | 22 |
3 | Homer and the Muses: Oral Traditional Poetics, a Mythic Episode, and Arming Scenes in the Iliad | 69 |
4 | Beowulf and Oral Epic Tradition | 96 |
5 | The Formula in Anglo-Saxon Poetry | 117 |
6 | The Theme in Anglo-Saxon Poetry | 137 |
7 | The Ballad: Textual Stability, Variation, and Memorization | 167 |
8 | Rebuttal | 187 |
9 | Two Versions of the Theme of the Overnight Visit in The Wedding of Smailagic Meho | 203 |
10 | The Transitional Text | 212 |
Bibliography | 239 | |
Index | 253 |
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Add The Singer Resumes the Tale, Edited by Mary Louise Lord after the author's death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral lit, The Singer Resumes the Tale to the inventory that you are selling on WonderClubX
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Add The Singer Resumes the Tale, Edited by Mary Louise Lord after the author's death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral lit, The Singer Resumes the Tale to your collection on WonderClub |