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| Before Completion | 3 | |||||||||
| The String Diamond | 13 | |||||||||
| Kaiseki | 23 | |||||||||
| Apache Plume: 1 The Beginning Web | 35 | |||||||||
| Apache Plume: 2 Reductions and Enlargements | 36 | |||||||||
| Apache Plume: 3 The Names of a Bird | 37 | |||||||||
| Apache Plume: 4 The Architecture of Silence | 38 | |||||||||
| Apache Plume: 5 Hourglass | 39 | |||||||||
| Apache Plume: 6 Entelechy | 40 | |||||||||
| Apache Plume: 7 Apache Plume | 41 | |||||||||
| Apache Plume: 8 Anamnesis | 42 | |||||||||
| Apache Plume: 9 Starlight | 43 | |||||||||
| Apache Plume: 10 Diffraction Grating | 45 | |||||||||
| Six Persimmons | 46 | |||||||||
| Noah's / Dove | 55 | |||||||||
| The Wood Whittler | 56 | |||||||||
| Li Po | 57 | |||||||||
| Miracles | 58 | |||||||||
| The Execution of Maximilian | 59 | |||||||||
| Sound Lag | 60 | |||||||||
| Sliding Away | 61 | |||||||||
| Strawberries in Wooden Bowls | 62 | |||||||||
| The Olive Grove | 63 | |||||||||
| A Singer with Eyes of Sand | 64 | |||||||||
| The Taoist Painter | 67 | |||||||||
| Brueghel | 68 | |||||||||
| The Silver Trade | 69 | |||||||||
| He will Come to my Funeral with a White Flower | 70 | |||||||||
| The Waking | 71 | |||||||||
| North to Taos | 72 | |||||||||
| Three A.M., in Winter | 73 | |||||||||
| Lament | 74 | |||||||||
| Wang Wei | 75 | |||||||||
| Morning Shutters | 76 | |||||||||
| Lupine | 77 | |||||||||
| Do not Speak Keresan to a Mescalero Apache | 78 | |||||||||
| Viewing Photographs of China | 81 | |||||||||
| The Moon is a Diamond | 83 | |||||||||
| Listening to a Broken Radio | 84 | |||||||||
| Moenkopi | 85 | |||||||||
| Written the Day I was to Begin a Residency at the State Penitentiary | 86 | |||||||||
| June Ghazal | 88 | |||||||||
| Dazzled | 91 | |||||||||
| Magnetized | 92 | |||||||||
| Knife at the Jugular | 93 | |||||||||
| Pouilly-Fuisse | 95 | |||||||||
| Alba | 96 | |||||||||
| The Opal | 97 | |||||||||
| Pentimento | 98 | |||||||||
| The Weather Shifts | 99 | |||||||||
| Juniper Fires | 103 | |||||||||
| Frost | 104 | |||||||||
| Black Lightning | 105 | |||||||||
| Piranhas | 106 | |||||||||
| Impressions of the New Mexico Legislature | 107 | |||||||||
| Cedar Fires | 108 | |||||||||
| The Murmur | 109 | |||||||||
| The Corona | 110 | |||||||||
| Olive Night | 111 | |||||||||
| The Cloud Chamber | 115 | |||||||||
| Empty Words | 116 | |||||||||
| Tsankawi | 117 | |||||||||
| Antares | 118 | |||||||||
| The Owl | 119 | |||||||||
| The Cornucopia | 120 | |||||||||
| The Chance | 121 | |||||||||
| The Network | 122 | |||||||||
| Fauve | 123 | |||||||||
| Fern, Coal, Diamond | 124 | |||||||||
| The Axis | 125 | |||||||||
| The Leaves of a Dream are the Leaves of an Onion | 129 | |||||||||
| The Aphrodisiac | 135 | |||||||||
| The Ansel Adams Card | 136 | |||||||||
| New Wave | 138 | |||||||||
| Every Where and Every When | 139 | |||||||||
| The Rehearsal | 142 | |||||||||
| Kayaking at Night on Tomales Bay | 143 | |||||||||
| Mistaking Water Hemlock for Parsley | 144 | |||||||||
| Evil Grigri | 145 | |||||||||
| The Pulse | 146 | |||||||||
| The Diamond Point | 147 | |||||||||
| Metastasis | 148 | |||||||||
| Horse Face | 149 | |||||||||
| The Negative | 150 | |||||||||
| Wasabi | 152 | |||||||||
| The Solderer | 153 | |||||||||
| Renga | 154 | |||||||||
| Ten Thousand to One | 155 | |||||||||
| To a Composer | 156 | |||||||||
| Shooting Star | 157 | |||||||||
| The Silence | 161 | |||||||||
| Keokea | 162 | |||||||||
| Early Autumn | 163 | |||||||||
| Nothing can Heal the Severed Nerves of a Hand? | 164 | |||||||||
| Splash, Flow | 165 | |||||||||
| The Moment of Creation | 166 | |||||||||
| Forget Fez | 167 | |||||||||
| Shuttle | 168 | |||||||||
| Throwing Salt on a Path | 169 | |||||||||
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Linda Upham
reviewed The Redshifting Web, 1970-1998 on May 04, 2018 The Redshifting Web, 1970-1998
Sze's poetry can seem effortless, but he demands a lot from his reader: Sze's work is packed with historical references, cultures he encounters on his travels, and juxtaposition that demand more careful attention than the ease of his language indicates. He almost always embeds his observations in the flora and fauna of the natural world and seemingly contrasts that with daily life--this latter trick he overuses at points as it implies a harmony of life that isn't argued for, but the poetry still works in its subtly and contrast on a level many poets don't even attempt. This collection covers a great range of his poetry for the 28 years at the end of the 20th century. Very little of it ages particularly as the contrasts and images are fresh and the idiosyncrasies are not particularly time specific. Sze is now a favorite of mind.
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