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A Foreword Looking Backwards | ||
Introduction | ||
I Would Steal Horses | 1 | |
The Exaggeration of Despair | 1 | |
Evolution | 2 | |
Theology | 3 | |
You Don't Know What Happened When You Froze | 4 | |
My Shining Archipelago | 5 | |
For Want | 7 | |
Origin Charm Against Uncertain Injuries | 8 | |
Riffing | 10 | |
Three Amoretti | 11 | |
Portishead Suite | 12 | |
That's Not in My Job Description | 15 | |
Nocturne: My Sister Life | 21 | |
A Sleeping Man Must Be Awakened to Be Killed | 23 | |
Legend of the Albino Farm | 24 | |
Rondeau at the Train Stop | 26 | |
What the Body Told | 27 | |
The Battle Hymn of the Republic | 27 | |
Asylum | 29 | |
My Childhood in Another Part of the World | 29 | |
Towards Curing AIDS | 30 | |
"When the grain is golden and the wind is chilly, then it is the time to harvest" | 32 | |
Little Brown Brother | 35 | |
The Filipino Politician | 36 | |
Votive Candles | 37 | |
The map room | 38 | |
El periferico, or sleep | 38 | |
"An archive of confessions, a genealogy of confessions" | 39 | |
"Alas, that is the name of our town; I have been concealing it all this time" | 40 | |
Mary Warren's Sampler | 41 | |
Publick Fast on Account of the Afflicted: March 31, 1692 | 42 | |
The Mother: Dorcas Good | 43 | |
John Winthrop, "Reasons to be Considered for ... the Intended Plantation in New England," 1629 | 45 | |
Sex with a Famous Poet | 46 | |
Ego | 47 | |
I'm Dealing with My Pain | 48 | |
How Much Is This Poem Going to Cost Me? | 49 | |
Atomic Bride | 52 | |
Star Child | 55 | |
Sir Nose D'VoidofFunk | 56 | |
Practice | 58 | |
Democracy | 60 | |
Admirals (Columbus) | 60 | |
The Ghost of Santo Domingo | 61 | |
Two Girls | 62 | |
Letter to My Mother | 64 | |
My Androgynous Years | 66 | |
The Joy Addict | 67 | |
Los Angeles, the Angels | 68 | |
Soon | 69 | |
Numbers | 72 | |
Pure Pop | 74 | |
My Father's Heroes | 76 | |
When Our Women Go Crazy | 78 | |
Grossdaadi's Funeral | 78 | |
Mennonites | 79 | |
Green, Market, New York | 80 | |
Eve's Striptease | 81 | |
Women Must Put Off Their Rich Apparel | 83 | |
Concerning the Islands Newly Discovered | 84 | |
Taxonomy | 85 | |
The Imperfect Is Our Paradise | 86 | |
Falling | 86 | |
Ariel Singing | 88 | |
Vox Angelica | 88 | |
Kindertotenlieder | 90 | |
Poem | 91 | |
Sunday | 92 | |
Heartsong | 93 | |
Watermelon Tales | 94 | |
Before | 97 | |
Disasterology | 99 | |
D | 100 | |
Following Her to Sleep | 102 | |
Logic in the House of Sawed-Off Telescopes | 103 | |
The First Trimester | 105 | |
Delphos, Ohio | 107 | |
Spring Comes to Chicago | 109 | |
Wheatfield Under Clouded Sky | 111 | |
My Least Skirtable Deficiency | 112 | |
On Inheriting Departure | 113 | |
"We Are Easily Reduced" | 114 | |
How Came What Came Alas | 115 | |
The Turn of Privacy | 117 | |
The Breath He Holds | 118 | |
I, the Neighbor Mr. Uskovich, Watch Every Morning Kenji Takezo Hold His Breath | 119 | |
The Really Long Ride | 121 | |
From Rooftops, Kenji Takezo Throws Himself | 121 | |
Kenji Takezo Becomes Water | 122 | |
Love Poem | 124 | |
Bacchanal | 126 | |
Beekeeper | 126 | |
The Sea Monkeys | 128 | |
Days like Prose | 129 | |
The Vandals | 130 | |
Another Poem about the Vandals | 131 | |
Cruelty, the Vandals Say | 132 | |
The God of Pepper | 134 | |
No Fool, the God of Salt | 135 | |
[nicholas the ridiculous: you will always be 27 and impossible. no more expectations] | 137 | |
[the thicknesses of victor decreased: blanket->sheet->floss. until no material would do] | 138 | |
[sleek mechanical dart: the syringe noses into the blue vein marking the target of me] | 139 | |
[who won't praise green. each minute to caress each minute blade of spring. green slice us open] | 140 | |
[sonnet] | 141 | |
[darling can you kill me: with your mickeymouse pillows] | 142 | |
Testimonial | 143 | |
Brooklyn Bridge | 146 | |
Precision German Craftsmanship | 146 | |
Gliding Toward the Lamps | 147 | |
The Hunger of the Lemur | 147 | |
Why I Forgive My Younger Self Her Transgressions | 149 | |
Falling in Love after Forty | 150 | |
Midnight Supper | 150 | |
AIDS Education, Seventh Grade | 152 | |
Crepuscule | 154 | |
Rear Window | 155 | |
April | 156 | |
Bird Nests | 156 | |
Small Pleasures | 157 | |
The Difficult Music | 160 | |
Another Version of an Ocean | 161 | |
Motive | 162 | |
The Gods at Three A.M. | 162 | |
Holy Ghost | 164 | |
Triage | 165 | |
Axiom of Maria | 166 | |
Occupant of the House | 167 | |
Mardi Gras Premortem | 168 | |
First Death | 168 | |
The Bicycle Racers | 169 | |
Purple Loosestrife | 170 | |
Rouge | 171 | |
Naola Beauty Academy, New Orleans, Louisiana 1943 | 173 | |
Bellocq's Ophelia | 174 | |
Photograph of a Bawd Drinking Raleigh Rye | 175 | |
Cameo | 176 | |
Daffodils | 177 | |
Slupwreck Poem | 178 | |
Untitled ["Shrewd star, who crudes our naming..."] | 179 | |
Untitled ["I won't go in today..."] | 180 | |
Untitled ["We did things more dulcet..."] | 180 | |
Urban Gallery | 182 | |
Drinks in the Town Square | 183 | |
A Rival | 184 | |
The Late Show | 185 | |
Poem for a New Year | 186 | |
The Dark Days | 188 | |
Bodies of Water | 192 | |
Appalachian Trees Encircled by Police Tape | 192 | |
Belvedere Marittimo | 193 | |
Elegy | 194 | |
Space Parable | 194 | |
Long Distance | 195 | |
Dux Bellorum | 196 | |
Michael Masse | 198 | |
Waterfowl Descending | 199 | |
Americana | 201 | |
Everlasting Quail | 202 | |
The Bruise of This | 204 | |
From a Vacant House | 205 | |
Take Good Care of Yourself | 205 | |
The Anchorage | 207 | |
Quivira City Limits | 209 | |
Clyde Peeling's Reptiland in Allenwood, Pennsylvania | 210 | |
Letters from the North Star | 212 | |
Campbell's Black Bean Soup | 213 | |
Langston Hughes | 214 | |
Acknowledgments | 217 | |
Contributors | 223 |
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