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Prologue: Downtown New York in the Late 1970s and Beyond Part I: (Moving) Pictures
(Moving) Pictures: Introduction Stillness/Movement: Joseph Cornell, Edison Company, Andy Warhol, Jack Goldstein The Female Body and the Film Frame: Andy Warhol, Cindy Sherman Vivienne Dick's Film Portraits Part II: Community Amos Poe and the New York New Wave Downtown and Community: Eric Mitchell, James Nares, Nan Goldin Part III: Narrative Expectations Strategies of Transformation: Jack Goldstein, Robert Longo, Cindy Sherman Strategies of Opposition: Eric Mitchell, Kathryn Bigelow, Lizzie Borden Part IV: The Cinematic Body Performance and the Cinematic: Paul Swan, Eric Bogosian The Ephemeral Body/The Female Voice: Louise Lawler, Ericka Beckman Part V: Downtown and the Mainstream Incursions into Popular Culture: Robert Longo, Cindy Sherman, Kathryn Bigelow Conclusion and Continuation
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Add The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film, Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic. They engaged cinematic movement, time, and the body in their work, and they did so across mediums, utilizing not only film, but , The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film to the inventory that you are selling on WonderClubX
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Add The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film, Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic. They engaged cinematic movement, time, and the body in their work, and they did so across mediums, utilizing not only film, but , The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film to your collection on WonderClub |