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The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda Book

The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda
The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In <i>The Material, the Real, and the Fractured Self</i>, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda has a rating of 3 stars
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The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda
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  • The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda
  • Written by author Susan Harrow
  • Published by University of Toronto Press, Scholarly Publishing Division, July 2004
  • In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin
  • Harrow (French, U. of Wales-Swansea) explores the interrelationship of subjectivity and materiality in the post-Baudelairean lyric, specifically in the works of Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Féda. She connects them in t
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Authors

1Debris, mess, and the modernist self : Rimbaud from Poesies to the Illuminations11
2Material fragments, autobiographical fantasy : reading Apollinaire's Calligrammes62
3From culture critique to poetic capital : Ponge's things-in-language113
4Sweeping the (sub)urban Savannah : everyday culture and the Redean sublime164


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The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In <i>The Material, the Real, and the Fractured Self</i>, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda

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The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In <i>The Material, the Real, and the Fractured Self</i>, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda

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The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In <i>The Material, the Real, and the Fractured Self</i>, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda

The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda

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