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1 | Debris, mess, and the modernist self : Rimbaud from Poesies to the Illuminations | 11 |
2 | Material fragments, autobiographical fantasy : reading Apollinaire's Calligrammes | 62 |
3 | From culture critique to poetic capital : Ponge's things-in-language | 113 |
4 | Sweeping the (sub)urban Savannah : everyday culture and the Redean sublime | 164 |
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Add The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda to the inventory that you are selling on WonderClubX
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Add The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda, In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollin, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda to your collection on WonderClub |