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| Preface | 1 | |
| Ch. 1 | Introduction: Breaking Our Ideological Shackles | 5 |
| Ch. 2 | The Psychosexual Basis of Acting | 11 |
| Ch. 3 | Are Actors Neurotic? | 27 |
| Ch. 4 | Acting and Speech | 37 |
| Ch. 5 | Acting and Artistic Creation | 47 |
| Ch. 6 | The Actor's Subjectivity: The Creative State | 65 |
| Ch. 7 | The Actor's Subjectivity: Finding the Character | 83 |
| Ch. 8 | The Mind-Body Problem | 101 |
| Ch. 9 | Emotion As Process | 117 |
| Ch. 10 | Approaches to Acting Before the Modern Era: How We Got Where We Are | 131 |
| Ch. 11 | Stanislavski's Basic Theories | 151 |
| Ch. 12 | Strasberg and "Affective Memory" | 173 |
| Ch. 13 | Other Twentieth-Century Acting Theories | 187 |
| Ch. 14 | Realism and Style: A Semiotic View | 213 |
| Ch. 15 | A Humanistic Actor Training, Centered on Play Production | 235 |
| Appendix: A Midsummer Night's Dream, Act 1, Scene 2 | 255 | |
| Notes | 259 | |
| Annotated Bibliography of Acting Textbooks | 275 | |
| Index | 291 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
John Appersom
reviewed The End of Acting: A Radical View on March 15, 2017 The End of Acting: A Radical View
A book of clarity about a notoriously obfuscated subject. For those who teach, act, or who are interested in the art and craft of acting and the theories surrounding modern acting.
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