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Author's note (first edition) | ||
Preface to the second edition | ||
Acknowledgements | ||
1 | The site of film | 6 |
2 | The sight of film | 29 |
3 | The conditions of invention | 45 |
4 | Theories of perception | 54 |
5 | Photographic development | 70 |
6 | Patent business | 80 |
7 | Celluloid muse | 94 |
8 | The production of consumption | 109 |
9 | Music hall and popular culture | 127 |
10 | Culture and politics in the middle classes | 156 |
11 | Market competition and industrial growth | 173 |
12 | The foundations of the film idiom | 218 |
13 | Epilogue: The dream that kicks | 266 |
Bibliography | 273 | |
Index | 279 |
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Add The Dream That Kicks, The Dream the Kicks is a classic account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been thoroughly revised to take into account recent scholarship of early cinema, Michael Chanan provides a f, The Dream That Kicks to the inventory that you are selling on WonderClubX
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Add The Dream That Kicks, The Dream the Kicks is a classic account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been thoroughly revised to take into account recent scholarship of early cinema, Michael Chanan provides a f, The Dream That Kicks to your collection on WonderClub |