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Preface (Judith Lorber)
Acknowledgments
The Absolutely Fabulous But Flawlessly Customary World of Drag Queens and
Female Impersonators (Steven P. Schacht and Lisa Underwood)
A Lovely War: Male to Female Cross-Dressing and Canadian Military
Entertainment in World War II (Laurel Halladay)
Wigs, Laughter, and Subversion: Charles Busch and the Strategies of Drag
Performance (Richard Niles)
The Beauty and the Beast: Reflections About the Socio-Historical and
Subcultural Context of Drag Queens and "Tunten" in Berlin (Carsten Balzer)
Moffies, Artists, and Queens: Race and the Production of South African Gay
Male Drag (Amanda Lock Swarr)
Ad/Dressing the Nation: Drag and Authenticity in Post-Apartheid South
Africa (Jennifer Spruill)
Chicks with Dicks, Men in Dresses: What it Means to be a Drag Queen (Verta
Taylor and Leila J. Rupp)
"Let the Drag Race Begin:" The Rewards of Becoming a Queen (Steven J.
Hopkins)
Transformance: Reading the Gospel in Drag (Jeffrey Q. McCune, Jr.)
Kind of a Drag: Gender, Race, and Ambivalence in The Birdcage and To Wong
Foo, Thanks for Everything! Julie Newmar (Mary Kirk)
Racializing White Drag (Ragan Rhyne)
Balancing Acts: Drag Queens, Gender and Faith (Constance R. Sullivan-Blum)
A Comparative Analysis of Hijras and Drag Queens: The Subversive
Possibilities and Limits of Parading Effeminacy and Negotiating Masculinity
(Sandeep Bakshi)
Beyond the Boundaries of the Classroom: Teaching About Gender and Sexuality
at a Drag Show (Steven P. Schacht)
Index
Reference Notes Included
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