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Acknowledgments Introduction: Autonomizing the Calderonian Auto Sacramental Section I: Tradition Revised: The Auto Sacramental in the Early Twentieth Century Chapter One: The Avant-Garde Rediscovery of the Auto Reviving the Calderonian Auto: An Avant-Garde Project Rewriting the Auto: The Aesthetic Turns Political Chapter Two: Francoism and the Auto as Political Mouthpiece Restoring the Auto: From the Battlefield to a National Theater Recalling the Fascist Auto: Miguel Hernández and Gonzalo Torrente Ballester Search for Autoridad Section II: Tradition Overthrown: The Auto Sacramental in the Post-Franco Era Chapter Three: Subverting Tradition: Francisco Nieva and His Sacred Irreverence Chapter Four: Emerging from Darkness: National and Theatrical Revision in Jesús Campos García’s A ciegas Chapter Five: The Auto Industry: Anti-Commercialism and the Plays of Ernesto Caballero Conclusion Works Cited About the Author
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Add The Cultural Politics of Twentieth-Century Spanish Theater: Representing the Auto Sacramental, The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, an, The Cultural Politics of Twentieth-Century Spanish Theater: Representing the Auto Sacramental to the inventory that you are selling on WonderClubX
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Add The Cultural Politics of Twentieth-Century Spanish Theater: Representing the Auto Sacramental, The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, an, The Cultural Politics of Twentieth-Century Spanish Theater: Representing the Auto Sacramental to your collection on WonderClub |