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List of illustrations ix
Notes on contributors xii
A note on transliteration xvi
Introduction Marianne McDonald J. Michael Walton 1
Text in Context
'Telling the tale': a performing tradition from Homer to pantomime Mark Griffith 13
Ancient theatre and performance culture Richard P. Martin 36
Religion and drama Fritz Graf 55
The socio-political dimension of ancient tragedy Jon Hesk 72
Aristotle's Poetics and ancient dramatic theory David Wiles 92
Politics and Aristophanes: watchword 'Caution!' Gonda van Steen 108
Comedy and society from Menander to Terence Sander Goldberg 124
Lost theatre and performance traditions in Greece and Italy Hugh Denard 139
The Nature of Performance
Art and theatre in the ancient world Richard Green 163
Festivals and audiences in Athens and Rome Rush Rehm 184
Playing places: the temporary and the permanent Richard Beacham 202
Chorus and dance in the ancient world Yana Zarifi 227
Masks in Greek and Roman theatre Gregory McCart 247
A material world: costume, properties and scenic effects Graham Ley 268
Commodity: asking the wrong questions J. Michael Walton 286
The dramatic legacy of myth: Oedipus in opera, radio, television and film Marianne McDonald 303
Playwrights and plays 327
Glossary of Greek and Latin words and terms 331
Select bibliography 341
Index 354
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Mamie Ault
reviewed The Cambridge Companion to Greek and Roman Theatre on October 23, 2008
The Cambridge Companion to Greek and Roman Theatre
A text does not exist of the text itself. Sounds trivial, but it's often forgotten.
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Add The Cambridge Companion to Greek and Roman Theatre, This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching throug, The Cambridge Companion to Greek and Roman Theatre to the inventory that you are selling on WonderClubX
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Add The Cambridge Companion to Greek and Roman Theatre, This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching throug, The Cambridge Companion to Greek and Roman Theatre to your collection on WonderClub |
