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Book Categories |
| Introduction : in memoriam | 3 | |
| Pt. I | History and remembrance as social aesthetics | |
| 1 | "The memory is all that matters" | 23 |
| 2 | A life in the borderlands | 64 |
| Pt. II | Fictions of the transnational imaginary | |
| 3 | The checkerboard of consciousness in George Washington Gomez | 145 |
| 4 | Transnational modernisms : Paredes, Roosevelt, Rockwell, Bulosan, and the four freedoms | 190 |
| 5 | Paredes and the modernist vernacular intellectuals : George I. Sanchez and Emma Tenayuca | 226 |
| 6 | The borders of modernity | 241 |
| 7 | Bilingual aesthetics and the law of the heart | 264 |
| 8 | Border subjects and transnational sites : the Hammon and the beans and other stories | 289 |
| 9 | Narrative and the idioms of race, nation, and identity | 318 |
| 10 | The postwar borderlands and the origins of the transnational imaginary : the occupation-era writings in Pacific Stars and Stripes and El Universal | 344 |
| 11 | The Shadow and the imaginary functioning of institutions | 395 |
| Conclusion : a transsentimental journey | 432 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Tee Dixon
reviewed The Borderlands of Culture: Americo Paredes and the Transnational Imaginary on January 02, 2013 The Borderlands of Culture: Americo Paredes and the Transnational Imaginary
A work composed of biography, literary criticism, and cultural critique, Ramón SaldÃvar's The Borderlands of Culture is at once a beautiful account of Américo Paredes's life and a groundbreaking continuation of his scholarly project: the transnational imaginary as a means to understanding individual and collective identities in the age of hyperproximity and globalization.
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