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Contents
Note: Chapters 1–11 begin and end with a Self-Assessment and include Suggestions for Writing.
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| $99.99 | Digital |
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Theresa Bradley
reviewed Take Charge of Your Writing: Discovering Writing Through Self-Assessment on June 19, 2017
Take Charge of Your Writing
"His soul was swooning into some new world, fantastic, dim, uncertain as under sea, traversed by cloudy shapes and beings. A world, a glimmer or a flower? Glimmering and trembling, trembling and unfolding, a breaking light, an opening flower, it spread in endless succession to itself, breaking in full crimson and unfolding and fading to palest rose, leaf by leaf and wave of light by wave of light, flooding all the heavens with its soft flushes, every flush deeper than the other."
Thus awareness is born, awareness of oneself as the shackles of society are thrown down. Stephen realises that he does not want to be what everyone else has deemed him to be; he wants to be his own man; he wants to embrace his own desires and live the life he wants: he wants to be free.
And who can blame him? It's his life so he may as well live it a way that will cause him some degree of satisfaction. Please note, I deliberately avoided the word "happy" because Stephen isn't happy; he realises that such a state is fickle: it will always fade with time. So in this process he assesses his own individuality and slowly begins to define his emerging sense of self. To invoke a cliché, Stephen goes on a journey of self-discovery; however, the extent of which goes far beyond the typical discourse: this is about the soul of his art.
"What is that beauty which the artist struggles to express….."
Is this not the entire crux of the work? Stephen struggles, and overcomes, the fight to be his true self in the confines of Irish society, and, by extension, Joyce struggles to produce his art in the confines of traditional narrative expectation: he cannot write his masterpiece by following the rules. The beauty he wishes to express will have to take a new form.
So, this becomes a natural precursor to Ulysses. I view this novel as an experiment; it is Joyce dipping his toe into the pool of experimental realism before he dives in head first with his next work. He plays with his writing; he tests it all for the purpose of exploring how far he can push the limits of storytelling: he prepares himself and his reader for his next work. To call this book autobiographical is to invoke the understatement of the year. As Stephen loses his virginity and the binds of social constraints, Joyce breaks free of all sense of artistic conformity. As Stephen explores his growing sexual appetite without any care for the conventional modes of Catholic morality that imbedded Irish culture, Joyce begins to stand up on his own two feet, erect and proud; he is ready to throw his writing into the world.
The artist is born.
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