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Preface: A New Approach | ||
Ch. 1 | The Magus and Moor as Metaphor | 1 |
Pt. I | Moor and Magus: On Shakespeare and T. S. Eliot | |
Ch. 2 | The Magian Journey Retaken: Eliot's Outlook on Othello with a New Itinerary | 11 |
Ch. 3 | "The blackened river [where] horsemen shake their spears": Resonances of Shakespeare in "The Hollow Men" Re-echoed | 47 |
Ch. 4 | "That Shakespeherian Rag" Again: T. S. Eliot and Frost's Sound of Sense | 57 |
Ch. 5 | The Image of Night: Ophelia, Laforgue, and The Waste Land | 65 |
Pt. II | Magus and Moor: T. S. Eliot and Victorianism | |
Ch. 6 | From Egyptian to Hardyean Canine: Archeological Retrieval in Eliot's Dessication | 73 |
Ch. 7 | "Let us go" to the African Dead-land: Eliot and Dowson | 83 |
Pt. III | A Wise Man Amid Moorish Environs: T. S. Eliot and the Critical and Creative Temper of the Times | |
Ch. 8 | Reacting to The Reactionaries: Libertarian Views Updated and the Issue of Ethnicity | 93 |
Ch. 9 | Carl Jung and "The Hollow Men": African Archetypes | 119 |
Ch. 10 | T. S. Eliot and the Influence of and on Black Culture: Some Key Considerations | 135 |
Pt. IV | The Magus "Moored" in a Domestic Jungle: Animal Imagery | |
Ch. 11 | On the Eliot Bestiary | 189 |
Ch. 12 | A Marauder from the Barbary Coast: Catching Up with Eliot's Cats | 199 |
Appendix: On "Mooring" the Modern Wise Man: Revisiting The Golden Bough: Eliot and MacLeish Realigned | 213 | |
Afterword | 217 | |
Select Bibliography | 227 | |
Index | 245 |
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