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Preface | 9 | |
Strindberg's Works: A List of Titles in Swedish and English | 15 | |
I | Without Bounds?: General Issues | |
August Strindberg and His Tradition in Swedish Literature: Beyond Fiction, Autobiography and the Literature of the Established Truth | 21 | |
'Tragical-Comical-Historical-Pastoral': Strindberg and the Absurdity of Categories | 35 | |
Strindberg's Mixing of Genres | 48 | |
'Passions and Interests': Anthropological Observation in the Short Story | 61 | |
Strindberg's Autobiographical Space | 82 | |
II | The Drama: Reforming Boundaries | |
Strindberg and Subjective Drama | 97 | |
Strindberg as an Innovator of Dramatic and Theatrical Form | 108 | |
The Representation of Death in Strindberg's Chamber Plays | 119 | |
Frenchifying Fordringsagare: Strindberg as his own Translator | 137 | |
Perspectives on a Genre: Strindberg's comedies rosses | 148 | |
Strindberg's Advent and Brott och Brott: Sagospel and Comedy in a Higher Court | 167 | |
Abu Casems tofflor--Strindberg's Worst Play? | 188 | |
Strindberg's History Plays: Some Reflections | 2OO | |
III | The Non-Dramatic Works | |
Genre and Aesthetics in Strindberg's 'Sarfeber' Poems | 2O9 | |
Inferno: Intended Readers and Genre | 22O | |
En bla bok--A Genre of its Own? | 229 | |
'Karlekens bok': Life and Fiction in En bla bok | 237 | |
IV | Seeing Differently: The Visual Dimension | |
Strindberg and Visual Imagination | 255 | |
Strindberg, Chance Images, and En bla bok: Some Reflections | 269 | |
Strindberg and Scandinavian Painting: 1880-1900 | 276 | |
Index | 287 |
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