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Acknowledgements vii
Introduction 1
From the promise of performance to the return of theatre
Kleist's Uber das Marionettentheater
From an ethics of performance to an affective politics of theatre
Stage fright: the predicament of the actor 35
In an 'awful hole'
A very 'modern' hole
Into the hole and out: diagnosis and cure
Abject hole: first 'blow-back'
Face your fear
Embarrassment: the predicament of the audience 70
Please don't look at me
What is embarrassment?
Towards a politics of shame
The animal on stage 96
Mouse in the house
Signs of labour
Animal politics
Mutual predicaments: corpsing and fiasco 129
Laughter
Corpsing
Fiasco
Forced Entertainment
Lyotard on theatre: last 'blow-back'
Afterword 161
Notes 169
Bibliography 186
Index 195
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