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Foreword | ||
Preface | ||
Acknowledgments | ||
Introduction | 1 | |
1 | Oratio Recta in Attic Drama | 23 |
Oratio Recta Sung or Chanted by Solo Voice? | 23 | |
Aeschylus | 25 | |
Sophocles | 45 | |
Euripides | 64 | |
Aristophanic Oratio Recta | 115 | |
2 | Oratio Recta in the Attic Orators | 129 |
Rhetorical Treatises | 129 | |
General Patterns: History and Genre | 131 | |
Documentary Oratio Recta in Public Speeches | 149 | |
The Framing of Oratio Recta in Attic Oratory | 179 | |
Placement of Vocatives | 197 | |
Oratio Recta in Demosthenes' Against Meidias (21) | 202 | |
3 | Some Conclusions | 219 |
Bibliography | 227 | |
Index Locorum | 237 | |
General Index | 247 | |
About the Author | 251 |
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Add Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama and Oratory, Speech in Speech explores the techniques by which Classical Greek texts written primarily for public performance weave in direct quotations (oratio recta) of 'other voices'-imagined or real. This 'speech in speech' is usually perceived as endowed with a g, Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama and Oratory to the inventory that you are selling on WonderClubX
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Add Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama and Oratory, Speech in Speech explores the techniques by which Classical Greek texts written primarily for public performance weave in direct quotations (oratio recta) of 'other voices'-imagined or real. This 'speech in speech' is usually perceived as endowed with a g, Speech in Speech: Studies in Incorporated Oratio Recta in Attic Drama and Oratory to your collection on WonderClub |