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Acknowledgements | ix | |
Preface | xi | |
Part 1 | Foundation Craft | |
Foundation Craft | 3 | |
The Body | 15 | |
The State of Readiness | 23 | |
Breath | 30 | |
Support | 36 | |
Freeing the Voice | 40 | |
Placing the Free Voice | 46 | |
Consolidation | 50 | |
Deepening the Work | 53 | |
Range and Resonance | 55 | |
Clear Speech | 57 | |
Listening | 60 | |
Hamlet's Advice | 63 | |
Part 2 | Structure | |
The Givens | 69 | |
The Word | 72 | |
Alliteration, Assonance, Onomatopoeia | 78 | |
Rhythm | 84 | |
Pauses and Irregularities of Rhythm | 95 | |
The Line | 103 | |
The Thought and the Structuring of Thoughts | 108 | |
The Structure of Scenes | 120 | |
Antithesis | 121 | |
Rhyme | 126 | |
Prose | 155 | |
Irony | 163 | |
Puns | 169 | |
Language games | 173 | |
Repetition | 177 | |
The Story | 180 | |
Location | 184 | |
Stage Directions, Props, Entrances and Exits | 186 | |
Soliloquy | 188 | |
Part 3 | The Imaginative | |
The Imaginative Exploration of the Text | 191 | |
Anchoring the Text | 201 | |
Focus and Energy | 217 | |
Summary | 222 | |
Part 4 | The Speeches | |
Richard III | 226 | |
Julius Caesar | 236 | |
Measure for Measure | 242 | |
King Lear | 250 | |
As You Like It | 266 | |
Much Ado About Nothing | 273 | |
The Merchant of Venice | 279 | |
Othello | 285 | |
Henry V | 292 | |
The Winter's Tale | 297 | |
Macbeth | 303 | |
Twelfth Night | 314 | |
A Midsummer Night's Dream | 325 | |
Antony and Cleopatra | 329 | |
Coriolanus | 334 | |
Cymbeline | 338 | |
King John | 344 | |
Part 5 | Checklists | |
Preparing the Body, Breath, Voice and Speech | 351 | |
The Givens | 354 | |
The Imaginative | 355 |
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Add Speaking Shakespeare, In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this a simple manual to start the , Speaking Shakespeare to the inventory that you are selling on WonderClubX
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Add Speaking Shakespeare, In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this a simple manual to start the , Speaking Shakespeare to your collection on WonderClub |