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Acknowledgments | ||
The Puzzle of El Lissitzky's Artistic Identity | 1 | |
Pt. I | East-West | |
El Lissitzky and the Export of Constructivism | 27 | |
Definitive Space: The Many Utopias of El Lissitzky's Proun Room | 47 | |
Constructivism Disoriented: El Lissitzky's Dresden and Hannover Demonstrationsraume | 77 | |
Pt. II | Hand-Eye | |
Manipulating Metaphors: El Lissitzky and the Crafted Hand | 129 | |
El Lissitzky's Camera Corpus | 153 | |
After Vitebsk: El Lissitzky and Kazimir Malevich, 1924-1929 | 177 | |
Pt. III | Propaganda | |
El Lissitzky in Vitebsk | 199 | |
El Lissitzky circa 1935: Two Propaganda Projects Reconsidered | 211 | |
Plates | 235 | |
Five Letters | 243 | |
Biographical Notes on the Contributors | 261 | |
Illustration Credits | 264 | |
Index | 268 |
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Add Situating el Lissitzky: Vitebsk, Berlin, Moscow, Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) wo, Situating el Lissitzky: Vitebsk, Berlin, Moscow to the inventory that you are selling on WonderClubX
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Add Situating el Lissitzky: Vitebsk, Berlin, Moscow, Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) wo, Situating el Lissitzky: Vitebsk, Berlin, Moscow to your collection on WonderClub |