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Acknowledgments | ||
Preface: In Drag | ||
1 | Between Standing Still and Moving: Reading U.S. Latina/o Identity | 3 |
2 | Invisible Chicanos: Gay and Lesbian Identities in the Fiction of Sheila Ortiz Taylor and John Rechy | 25 |
3 | Identity as Drag: Performing Gender and Cubanidad in The Mambo Kings Play Songs of Love and The Greatest Performance | 55 |
4 | Invention of the Ethnic Self in Latina Immigrant Fiction: The Line of the Sun and How the Garcia Girls Lost Their Accents | 89 |
5 | The "Boom" in U.S. Latina/o Fiction: Performing Magical Realism in The Love Queen of the Amazon and So Far from God | 121 |
Conclusion: The Show Must Go On | 149 | |
Notes | 153 | |
Bibliography | 177 | |
Index | 185 |
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Add Show and tell, What elements are present for a body of writing to be considered Latina/o? Through the analysis of nine recent Latina/o novels, Karen Christian melds the theory of performativity with the latest scholarship on ethnicity and ethnic literature to create a, Show and tell to the inventory that you are selling on WonderClubX
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Add Show and tell, What elements are present for a body of writing to be considered Latina/o? Through the analysis of nine recent Latina/o novels, Karen Christian melds the theory of performativity with the latest scholarship on ethnicity and ethnic literature to create a, Show and tell to your collection on WonderClub |