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List of illustrations; Acknowledgements; Note on texts; Proem: Shakespeare's 'Plaies and Poems'; Part I. The Imprint of Shakespearean Authorship: Prelude: Shakespeare, Cervantes, Petrarch; 1. The sixteenth-century poet-playwright; 2. Francis Meres, the Ovidian poet-playwright, and Shakespeare criticism; Part II. 1593–1594: The Print Author Presents Himself: Play Scene: 'Two Gentlemen' to 'Richard III'; 3. Authorship and acting: plotting Venus and Adonis along the Virgilian path; 4. Publishing the show: The Rape of Lucrece as Lucanian counter-epic of empire; Part III. 1599–1601: The Author Brought Into Print: Play Scene: 'Love's Labor's Lost' to 'Troilus and Cressida'; 5. 'Tales … coined': 'W. Shakespeare' in Jaggard's The Passionate Pilgrim; 6. 'Threne' and 'scene': the author's relics of immortality in 'The Phoenix and Turtle'; Part IV. 1609: Imprinting the Question of Authorship: Play Scene: 'Measure for Measure' to 'Coriolanus'; 7. 'O, let my books be … dumb presagers': poetry and theatre in the sonnets; 8. 'Deep-brain'd sonnets' and 'tragic shows': Shakespeare's late Ovidian art in A Lover's Complaint; Epilogue. Ariel and Autolycus: Shakespeare's counter-laureate authorship; Works cited; Index.
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Add Shakespeare, National Poet-Playwright, Reassessing Shakespeare as a poet and dramatist, Patrick Cheney contests critical preoccupation with Shakespeare as a man of the theatre by reclaiming his original standing as an early modern author. Cheney considers him as a working dramatist who compo, Shakespeare, National Poet-Playwright to the inventory that you are selling on WonderClubX
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Add Shakespeare, National Poet-Playwright, Reassessing Shakespeare as a poet and dramatist, Patrick Cheney contests critical preoccupation with Shakespeare as a man of the theatre by reclaiming his original standing as an early modern author. Cheney considers him as a working dramatist who compo, Shakespeare, National Poet-Playwright to your collection on WonderClub |