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Chapter 1 Acknowledgements Chapter 2 Introduction Part 3 Part 1: Close Readings of the Written Text Chapter 4 A Special Meaning of "Within" Chapter 5 "Music Plays and They Dance": A Close Reading of Romeo and Juliet, 1.5 Chapter 6 "Post-alone": a Missing Word and the Limits of Biography Chapter 7 Shakespeare's Secret Language, with specimens from a commentary Chapter 8 Close Reading, Illustration, and Productive Ambivalence Chapter 9 A Dramatic Function of Caliban's "Be not afeared" Speech in The Tempest Chapter 10 "Mention my name in Verona": is Cassio Florentine? Part 11 Part II: Close Reading of Performance Chapter 12 Close Enough Readings? Or Trying to Ascribe the Actor's Part in Analyzing Performance Texts Chapter 13 Reading Morocco: Four Film Versions of The Merchant of Venice Chapter 14 Red Button Shakespeare Chapter 15 Can We/Should We Close Read Performance? Chapter 16 List of Contributors Chapter 17 Index
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Add Shakespeare Closely Read: Written and Performance Texts, Shakespeare Closely Read is a collection of essays by Shakespearean scholars, all of which were originally papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon. Each contains a close reading of Shakespearean or other El, Shakespeare Closely Read: Written and Performance Texts to the inventory that you are selling on WonderClubX
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Add Shakespeare Closely Read: Written and Performance Texts, Shakespeare Closely Read is a collection of essays by Shakespearean scholars, all of which were originally papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon. Each contains a close reading of Shakespearean or other El, Shakespeare Closely Read: Written and Performance Texts to your collection on WonderClub |