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Acknowledgments Note on Spelling Conventions Notes on Contributors Introduction: K.J.E.Graham
PART I: SHAKESPEARE AND SOCIAL HISTORY: RELIGION AND THE SECULAR
Sanctifying the Bourgeoisie: The Cultural Work of The Comedy of Errors; R.Strier
'In a Christian Climate': Religion and Honor in Richard II; D.Shuger
PART II: DRAMATIC CONTINUITIES AND RELIGIOUS CHANGE
William Cecil and the Drama of Persuasion; A.F.Johnston
The Queen's Men and the Performance of Allegiance, Conformity, and Difference in Elizabethan Norwich; M.A.Blackstone
Things Newly Performed: The Resurrection Tradition in Shakespeare's Plays; E.Williamson
Staging Allegiance, Re-membering Trials: King Henry VIII and the Blackfriars Theater; K.Sawyer Marsalek
PART III: RELIGIOUS IDENTITIES
'Mirth in Heaven': Religion and Festivity in As You Like It; P.Jensen
Speaking Daggers: Shakespeare's Troubled Ministers; G.Clark
Othello in the Wilderness: How did Shakespeare Use his Bible?; T.Bishop
PART IV: SHAKESPEARE AND THE CHANGING THEATRE: RELIGION OR THE SECULAR
Author, King, and Christ in Shakespeare's Histories; J.Knapp
The Secular Theater; A.B.Dawson
Index
| Price | Condition | Delivery | Seller | Action |
| $100.00 | Digital |
| WonderClub |
Mark Singer
reviewed Shakespeare and Religious Change on January 18, 2019
Shakespeare and Religious Change
I think that it is very likely that Chesterton has captured George Bernard Shaw in this biography. I think Chesterton makes a ton of excellent points. It's just that so many of his references are so specific to their particular time, that it is hard for the modern reader to understand or really appreciate the argument being made.
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