Shakespeare and Genre: From Early Modern Inheritances to Postmodern Legacies Book

Kin, Kind, and Shakespeare’s Significance to Genre Studies - Anthony R. Guneratne
• SECTION I: Shakespeare and Renaissance Genres
• PART I: Origins and Conventions
• Shakespeare the Metalinguist - David Crystal
• Murdering Peasants: Status, Genre, and the Representation of Rebellion - Stephen Greenblatt
• "The Stage Is Hung with Black": Genre and the Trappings of Stagecraft in Shakespearean Tragedy - Andrew Gurr
• PART II: Shakespeare’s Deployments of Genre
• Shakespeare’s Development of Theatrical Genres: Genre as Adaptation in the Comedies and Histories - David Bevington
• The Shakespeare Remix: Romance, Tragicomedy, and Shakespeare’s "Distinct Kind" - Lawrence Danson
• PART III: Shakespeare and the Reconfiguration of Genres in Performance
• Turning Genre on Its Head: Shakespeare’s Refashioning of His Sources in Richard III, King Lear, and The Winter’s Tale - Steven J. Lynch
• Shakespearean Comedy, Tempest-Toss’d: Genre, Social Transformation, and Contemporary Performance - Diana Henderson
• SECTION II: Shakespeare and Contemporary Genres
• PART I: Shakespeare and Culturally Specific Genres
• Comical Tragedies and Other Poly-generic Shakespeares in Contemporary China and Diasporic Chinese Culture - Alex Huang
• King Lear East of Berlin: Tragedy under Socialist Realism and Afterwards - Boika Sokolova and Alexander Shurbanov
• PART II: Shakespeare-based Genres in Other Media
• Shakespeare and Film Genre in the Branagh Generation - Samuel Crowl
• Genre and Televised Shakespeare: Evolving Forms and Shifting Definitions - Tony Howard
• Shakespeare and Media Allegory - Peter S. Donaldson
• PART III: Shakespeare as Genre
• Shakespeare Among the Philosophers - Charles Martindale
• "I’ll teach you differences": Genre Literacy, Critical Pedagogy, and Screen Shakespeare - Douglas M. Lanier