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Acknowledgements | ||
1 | Introduction | 1 |
2 | Economic Sense and Sensibility in David Simple, Tom Jones and The Countess of Dellwyn | 15 |
3 | Sexual Innocence and Economic Experience: the Problems of Amelia and Ophelia | 37 |
4 | 'Godlike benefactors': Patriarchal Patterns in Lady Julia Mandeville, The Vicar of Wakefield and Humphry Clinker | 59 |
5 | 'Above oeconomy': The History of Lady Barton, The Man of Feeling and A Sentimental Journey | 91 |
6 | 'The first soft system': Commerce, Sensibility and Femininity in Barham Downs and Anna: or Memoirs of a Welch Heiress | 117 |
7 | 'The mild lustre of modest independence': Economies of Obligation in Novels of the 1790s | 154 |
Conclusion | 187 | |
Notes | 191 | |
Bibliography | 216 | |
Index | 224 |
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Add Sensibility and economics in the novel, 1740-1800, This book argues that the sentimental novel, usually seen as a feminine genre concentrating exclusively on emotional response, is in fact actively involved in contemporary economic and political debates. Introducing works of economic theory alongside se, Sensibility and economics in the novel, 1740-1800 to the inventory that you are selling on WonderClubX
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Add Sensibility and economics in the novel, 1740-1800, This book argues that the sentimental novel, usually seen as a feminine genre concentrating exclusively on emotional response, is in fact actively involved in contemporary economic and political debates. Introducing works of economic theory alongside se, Sensibility and economics in the novel, 1740-1800 to your collection on WonderClub |