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| Preface | ||
| Introduction : the body poetic : toward a compositional self and national identity | 1 | |
| Ch. 1 | The dialectic of progressive body : self, cosmos, and national identity in Guo Moruo's The goddesses | 15 |
| Ch. 2 | The decadent body : toward a negative ethics of mourning in Li Jinfa | 85 |
| Ch. 3 | The narcissistic body : mnemonic auras and fragments of modernity in Dai Wangshu | 149 |
| Conclusion : self-fashioning, modernity and the will to maturity | 245 |
| Price | Condition | Delivery | Seller | Action |
| $210.00 | Digital |
| WonderClub |
Sabrina Griswold
reviewed Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949 on September 07, 2016 Self-fashioning and reflexive modernity in modern Chinese poetry
This book of poems begins with a thought-provoking 'comments from the editor', written by editor Tony Barnstone. His comments are titled 'Translation as Forgery' "The world, abstracted into language, is written into a poem which you read and abstract to fit your own experience."
I love Chinese poetry, I'll think, but I shake my head and think, no, you like translated Chinese poetry.
What about this? Short of learning Chinese, what should a person do?
Barnstable: " Yet there is always the hope for the translator that, through concentration and dedication she or he might come to the point where the dead author guides the pen across the page like an invisible spirit moving the pointer on a Ouija board."
I need to buy this book.
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Add Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949, Mi (English, modern languages, and literatures; College of New Jersey) explores diverse projects of self-fashioning through heterogeneous modes of the bodily energy in the discursive formation of modern Chinese poetry at shifting historical stages between, Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949 to the inventory that you are selling on WonderClubX
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Add Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949, Mi (English, modern languages, and literatures; College of New Jersey) explores diverse projects of self-fashioning through heterogeneous modes of the bodily energy in the discursive formation of modern Chinese poetry at shifting historical stages between, Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949 to your collection on WonderClub |
