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Preface | ||
Introduction | ||
The Question | 1 | |
The Research | 3 | |
Starting Off | 3 | |
Rehearsals | 4 | |
Preparations in Shakespeare's Time | 6 | |
Parts Played in One Afternoon | 16 | |
The Evidence | 17 | |
The Tomb Scene from The Tragedie of Romeo and Juliet | 17 | |
Rosalind, Celia - and the Duke | 24 | |
Viola, the Captaine - and the Saylors | 28 | |
Original Elizabethan Language | 30 | |
The Experiment | 37 | |
Geiger | 37 | |
Cue Script Productions | 37 | |
The Performances | 43 | |
Actors' Responses | 189 | |
The Secrets | 197 | |
Prose and Poetry | 197 | |
Simple and Complex | 201 | |
Modes of Address | 203 | |
Iambic Pentameters | 207 | |
Lineage | 211 | |
Verbal Conceits | 212 | |
Obedience to the Text | 218 | |
The Folio | 223 | |
The Folio Secrets | 229 | |
Folio Capitalization | 232 | |
Folio Lineage | 236 | |
Folio Punctuation | 240 | |
Folio Spelling | 250 | |
Understanding Through Acting | 257 | |
The OSC Checklist | 259 | |
Epilogue | 269 | |
App. 1 | Genealogical Table from Henry II to Edward III | 271 |
App. 2 | Genealogical Table from Edward III to James I | 273 |
App. 3 | Folio and Quarto versions of Romeo | 277 |
Bibliography | 279 | |
Index | 281 |
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Add Secrets of Acting Shakespeare: The Original Approach, Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick T, Secrets of Acting Shakespeare: The Original Approach to the inventory that you are selling on WonderClubX
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Add Secrets of Acting Shakespeare: The Original Approach, Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick T, Secrets of Acting Shakespeare: The Original Approach to your collection on WonderClub |