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Book Categories |
Preface | ||
List of abbreviations | ||
Introduction: Roman Empire and Greek Renaissance | 1 | |
1 | Sophists in Society | 13 |
2 | Preparation, Prelude, Performance | 47 |
3 | Communing With the Classics | 69 |
4 | Atticism and Antagonism | 86 |
5 | Hellenic Past, Graeco-Roman Present | 101 |
6 | Cookery and Confection: Sophistic Philosophy, Philosophic Sophistry | 133 |
7 | Some Sophistic Scene-Painting | 144 |
8 | Logos Erotikos: The Sophist as Storyfeller | 156 |
9 | Adoxa Paradoxa: The Pepaideumenos at Play | 171 |
10 | Piety and Paideia: The Sophist and His Gods | 200 |
11 | Sophistic Self-Presentation: Four Studies | 216 |
12 | Conclusion: Values and Valuations | 234 |
Notes and references | 247 | |
Select bibliography | 288 | |
Index | 297 |
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Add Second Sophistic, Sophism was the single most important movement in second century literature: prose of that period came to be written as entertainment rather than confined to historical subjects. Graham Anderson shows how the Greek sophists' skills in public speaking enab, Second Sophistic to the inventory that you are selling on WonderClubX
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Add Second Sophistic, Sophism was the single most important movement in second century literature: prose of that period came to be written as entertainment rather than confined to historical subjects. Graham Anderson shows how the Greek sophists' skills in public speaking enab, Second Sophistic to your collection on WonderClub |