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Introduction : I want to be you | 1 | |
Pt. I | Totalizing identifications | 19 |
1 | The politics of envy in academic feminist communities and in Margaret Atwood's The robber bride | 20 |
2 | I want you to be me : parent-child identification in D. H. Lawrence's The rainbow and Carolyn Kay Steedman's Landscape for a good woman | 42 |
3 | Identification with the trauma of others : slavery, collective trauma, and the difficulties of representation in Toni Morrison's Beloved | 66 |
Pt. II | Structures of identification in the visual field | 85 |
4 | Race and idealization in Toni Morrison's Tar baby and in white feminist cross-race fantasies | 86 |
5 | Luring the gaze : desire and interpellation in Sandra Cisneros's "Woman Hollering Creek," Anne Tyler's Saint Maybe, Angela Carter's The magic toyshop, and Margaret Drabble's Jerusalem the golden | 119 |
6 | Disidentification and border negotiations of gender in Sandra Cisneros's Woman Hollering Creek | 145 |
Pt. III | Heteropathic identifications | 169 |
7 | Toward cross-race dialogue : Cherrie Moraga, Gloria Anzaldua, and the psychoanalytic politics of community | 170 |
The challenges of infant research and neurobiology to traditional models of primary identification | 192 |
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