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Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960 Book

Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960
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Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960, Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on j, Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960
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  • Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960
  • Written by author Paul McCann
  • Published by Fairleigh Dickinson University Press, 2009
  • "Race, Music, and National Identity" is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on j
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Book Categories

Authors

1 Introduction 11

2 Music of Corruption: Jazz as Social Threat in the Early Twenties 22

3 "Some Finer Thing": Jazz Amid the Culture Wars of the Late Twenties 39

4 The Market of Music: Jazz and the Great Depression in the Harlem Renaissance 58

5 White Jazz:A Primitive Commodity 74

6 Defining a Nation: Jazz and American Identity in the Early Forties 93

7 Music of Contradictions: Reconciling U.S. Domestic and Foreign Identities 109

8 "Gin, Jazz, and Dreams": Cultivating the Hipster Aesthetic in Ellison, Mailer, and Beaumont 122

9 A Racial Paradise: The Ambiguity of Identity in The Horn by John Clellon Holmes and On The Road by Jack Kerouac 139

10 Conclusion 164

Notes 171

Works Cited 183

Index 189


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Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960, Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on j, Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960

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Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960, Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on j, Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960

Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960

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Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960, Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on j, Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960

Race, Music, and National Identity: Images of Jazz in American Fiction, 1920-1960

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