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Introduction—Lynn Ramey & Tison Pugh * PART I: MULTICULTURAL IDENTITIES: A LOST IDEAL?
• Once, Present and Future Kings: Kingdom of Heaven and the Multi-temporality of Medieval Film—Arthur Lindley * Chahine's Destiny: Prophetic Nostalgia and the Other Middle Ages—Don Hoffman * Reversing the Crusades: Hegmony, Orientalism and Film Language in Youssef Chahine's Saladin—John Ganim * Samurai on Shifting Ground: Negotiating the Medieval and the Modern in Seven Samurai and Yojimbo—Randy P. Schiff
• PART II: BARBARISM AND THE MEDIEVAL OTHER
• Vikings Through the Eyes of an Arab Ethnographer: Constructions of the Other in The 13th Warrior—Lynn Shutters * Mission Historical, or "[t]here were a hell of a lot of knights": Ethnicity and Alterity in Jerry Bruckheimer's King Arthur—Caroline Jewers
• Inner-City Chivalry in Gil Junger's Black Knight: A South Central Yankee in King Leo's Court—Laurie Finke and Martin Shichtman * Queering the Medieval Dead: History, Horror, and Masculinity in Sam Raimi's Evil Dead Trilogy—Tison Pugh * PART III: ROMANTIC VALUES * In Praise of Troubadourism: Creating Community in Occupied France, 1942-1943—Lynn Ramey * Sexing Warrior Women in China's Martial Arts World: King Hu's A Touch of Zen—Peter Lorge
• The Hawk, the Wolf, and the Mouse: Gender and Other in Ladyhawke—Angela Jane Weisl * Chaucer's Man Show: Anachronistic Authority in Brian Helgeland's A Knight's Tale—Holly Crocker * The "Other" Women of Sherwood: The Construction of Difference and Gender in Cinematic Treatments of the Robin Hood Legend—Lorraine Stock & Candace Gregory
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Add Race, Class and Gender in Medieval Cinema, The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the , Race, Class and Gender in Medieval Cinema to the inventory that you are selling on WonderClubX
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Add Race, Class and Gender in Medieval Cinema, The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the , Race, Class and Gender in Medieval Cinema to your collection on WonderClub |