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PrefaceIntroduction: Sexuality and Aesthetics from Winckelmann to Freud and Beyond1. Queer Beauty: Winckelmann and Kant on the Vicissitudes of the Ideal2. The Universal Phallus: Hamilton, Knight, and the Wax Phalli of Isernia3. Representative Representation: Schopenhauer's Ontology of Art4. Double Mind: Hegel, Symonds, and Homoerotic Spirit in Renaissance Art5. The Line of Death: Decadence and the Organic Metaphor6. The Sense of Beauty: Homosexuality and Sexual Selection in Victorian Aesthetics7. The Aesthetogenesis of Sex: "Narcissism" in Freudian Theory and Homosexualist Culture, I8. Love All the Same: "Narcissism" in Freudian Theory and Homosexualist Culture, II9. The Unbecoming: Michel Foucault and the Laboratories of Sexuality10. Fantasmatic Iconicity: Freudianism, Formalism, and Richard WollheimNotesIndex
Columbia University Press
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Add Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond, The pioneering work of Johann Winckelmann (1717-1768) identified a homoerotic appreciation of male beauty in classical Greek sculpture, a fascination that had endured in Western art since the Greeks. Yet after Winckelmann, the value (even the possibility), Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond to the inventory that you are selling on WonderClubX
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Add Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond, The pioneering work of Johann Winckelmann (1717-1768) identified a homoerotic appreciation of male beauty in classical Greek sculpture, a fascination that had endured in Western art since the Greeks. Yet after Winckelmann, the value (even the possibility), Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond to your collection on WonderClub |