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Foreword | ||
Entertainment, Spectacle, Crime: Puppetry in the Year 2000 | 1 | |
Introduction: Puppets, Masks, and Performing Objects at the End of the Century | 5 | |
A Puppet Tree: A Model for the Field of Puppet Theatre | 18 | |
Julie Taymor: From Jacques Lecoq to The Lion King | 26 | |
What, At the End of This Century, Is the Situation of Puppets and Performing Objects? | 46 | |
The End of Our Domestic Resurrection Circus: Bread and Puppet Theater and Counterculture Performance in the 1990s | 52 | |
Performing the Intelligent Machine: Deception and Enchantment in the Life of the Automaton Chess Player | 71 | |
Czech Puppet Theatre and Russian Folk Theatre | 87 | |
Modicut Puppet Theatre: Modernism, Satire, and Yiddish Culture | 105 | |
Articulations: The History of All Things | 125 | |
If Gandhi Could Fly ...: Dilemmas and Directions in Shadow Puppetry of India | 144 | |
Rediscovering Mask Performance in Peru: Gustavo Boada, Maskmaker with Yuyachkani | 159 | |
The Art of Puppetry in the Age of Media Production | 172 | |
Biographies | 186 | |
Index | 189 |
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Add Puppets, Masks, and Performing Objects, Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-gar, Puppets, Masks, and Performing Objects to the inventory that you are selling on WonderClubX
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Add Puppets, Masks, and Performing Objects, Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-gar, Puppets, Masks, and Performing Objects to your collection on WonderClub |