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1 | The "possibilities" of The tempest | 11 |
2 | Giorgio Strehler : The tempest, 1948 | 22 |
3 | Peter Brook : The tempest, 1957 | 44 |
4 | Peter Brook's "experiment" : the 1968 Tempest | 64 |
5 | Giorgio Strehler, 1978 | 88 |
6 | The No Tempest : Yukio Ninagawa, 1988 | 113 |
7 | Peter Brook : The tempest, 1990 | 143 |
8 | The boy in the sandbox | 164 |
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This item is in your CollectionProspero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's the Tempest
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Add Prospero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's the Tempest, Prospero's True Preservers is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four dif, Prospero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's the Tempest to the inventory that you are selling on WonderClubX
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Add Prospero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's the Tempest, Prospero's True Preservers is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four dif, Prospero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's the Tempest to your collection on WonderClub |