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Preface | ||
Acknowledgments | ||
Printmaking at Wisconsin: An Era of Excellence | 3 | |
Postwar Prints: A Memoir from a Player | 11 | |
Galleria | ||
Alfred Sessler: Ethos and Ethics | 21 | |
Dean Meeker: Art as Process | 37 | |
Warrington Colescott: Narrative Marks | 51 | |
Raymond Gloeckler: No Place to Hide | 69 | |
Jack Damer: Upping the Ante | 85 | |
Walter Hamady: Virtuoso Explorations | 99 | |
William Weege: Tools, Technology, and Art | 113 | |
Frances Myers: Keep Your Bags Packed | 129 | |
David Becker: A Singularity of Vision | 145 | |
Some Visitors, Some Alumni | 159 | |
Tandem Press: The University as Print Publisher | 187 | |
Epilogue | 201 | |
Notes | 205 | |
Index | 215 |
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Add Progressive Printmakers: Wisconsin Artists and the Print Renaissance, An important verbal and visual document of a great period of American printmaking.—Gordon W. Gilkey, Pacific Northwest College of Art and Curator of Prints and Drawings, Portland Art Museum A superb chronicle of a unique period in the development of, Progressive Printmakers: Wisconsin Artists and the Print Renaissance to the inventory that you are selling on WonderClubX
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Add Progressive Printmakers: Wisconsin Artists and the Print Renaissance, An important verbal and visual document of a great period of American printmaking.—Gordon W. Gilkey, Pacific Northwest College of Art and Curator of Prints and Drawings, Portland Art Museum A superb chronicle of a unique period in the development of, Progressive Printmakers: Wisconsin Artists and the Print Renaissance to your collection on WonderClub |