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Introduction | ||
1 | Preflight: What Shall We Do with This Image? | |
2 | Color Correction By the Numbers | |
3 | The Steeper the Curve, The More the Contrast | |
4 | Sharpening with a Stiletto | |
5 | Plate Blending as Poetry | |
6 | In Color Correction, The Key Is the K | |
7 | RGB Is CMY | |
8 | HSB Is LAB | |
9 | All Colorspaces Are One | |
10 | Making Thinkings Look Alike | |
11 | Managing Separation And Color Settings | |
12 | The Great Dot Gain Gamble | |
13 | Friend and Foe in Black and White | |
14 | Resolving the Resolution Issue | |
15 | Math, Moire, and the Artist: A New Angle on Descreening | |
16 | Every File Has Ten Channels | |
17 | There Are No Bad Originals | |
Notes & Credits | ||
Index | ||
A Note on the Type |
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Add Professional Photoshop 6, An electronic prepress master reveals how to get the most out of Photoshop Renowned among graphic design professionals for his technical grounding and ability to clearly explain difficult principles and techniques, Dan Margulis has updated his bestsell, Professional Photoshop 6 to the inventory that you are selling on WonderClubX
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Add Professional Photoshop 6, An electronic prepress master reveals how to get the most out of Photoshop Renowned among graphic design professionals for his technical grounding and ability to clearly explain difficult principles and techniques, Dan Margulis has updated his bestsell, Professional Photoshop 6 to your collection on WonderClub |