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| Introduction | 1 | |
| The Medieval Spirit of Pre-Raphaelitism | 15 | |
| Divided Self, Divided Realm: Typology, History and Persona in Tennyson's Idylls of the King | 29 | |
| The Pre-Raphaelite Brotherhood as Knights of the Round Table | 53 | |
| Sir Gawain, Sir Lancelot, the Pre-Raphaelite Brotherhood and Tennyson | 75 | |
| The Influence of Christine de Pisan on Dante Gabriel Rossetti and Elizabeth Siddal | 93 | |
| Sacred and Profane Gardens: Self-Reflection and Desire in Pre-Raphaelite Painting and the Poetry of the Rossettis | 109 | |
| Love and Death: The Function of the Grotesque in the Paintings of Edward Burne-Jones | 127 | |
| Locks, Tressses and Manes in Pre-Raphaelite Paintings | 159 | |
| Womanly Noblesse: The Influence of the Courtly Love Tradition on Edward Burne-Jones | 193 | |
| Burne-Jones, Swinburne, and Laus Veneris | 221 | |
| The Fair Lady and The Virgin in Pre-Raphaelite Art: The Evolution of a Societal Myth | 241 | |
| William Morris and the Ideal Book | 281 | |
| Selected Bibliography | 307 |
| Price | Condition | Delivery | Seller | Action |
| $219.00 | Digital |
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