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Book Categories |
Introduction to the Series | ||
Acknowledgments | ||
Introduction; Practice vs. Project | ||
Essays | ||
Drawings | ||
1 | Constructing With Lines: On Projection | 1 |
2 | Mapping the Unmappable: On Notation | 31 |
3 | Plotting Traces: On Process | 47 |
Buildings | ||
4 | Mies's Theater of Effects: The New National Gallery | 71 |
5 | The Guggenheim Refigured: The Solomon R. Guggenheim Museum | 87 |
6 | Le Corbusier and Modernist Movement: The Carpenter Center for the Visual Arts | 103 |
Media | ||
7 | Ex Novo: Architecture and Photography | 123 |
8 | Terminal Velocities: The Computer in the Design Studio | 145 |
Postcript: Representation as Articulation between Theory and Practice | 163 | |
Notes | 179 | |
Image Credits | 200 |
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Add Practice: Architecture, Technique and Representation, Essays by Stan Allen. Commentary by Diana Agrest. Foreword by Saul Ostrow. Architect and theorist Stan Allen examines how different modes of representation affect architectural practice, how, for example, the choice of axonometric, orthographic, or perspe, Practice: Architecture, Technique and Representation to the inventory that you are selling on WonderClubX
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Add Practice: Architecture, Technique and Representation, Essays by Stan Allen. Commentary by Diana Agrest. Foreword by Saul Ostrow. Architect and theorist Stan Allen examines how different modes of representation affect architectural practice, how, for example, the choice of axonometric, orthographic, or perspe, Practice: Architecture, Technique and Representation to your collection on WonderClub |