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Acknowledgments | ||
1 | Introduction: Ethical Criticism and Postwar Literary Theory | 1 |
2 | Reading the "Heavy Industry of the Mind": Ethical Criticism and the Anglo-American Academic Novel | 19 |
3 | Negotiating the University Community: Lucky Jim and the Politics of Academe | 27 |
4 | Scholar Adventurers in Exile: Nabokov's Dr. Kinbote and Professor Pnin | 43 |
5 | Searching for Goodness and the Ethical Self: Joyce Carol Oates's The Hungry Ghosts | 60 |
6 | The Professoriate in Love: David Lodge's Academic Trilogy and the Ethics of Romance | 77 |
7 | Performing the Academy: Alterity and David Mamet's Oleanna | 98 |
8 | Campus Xenophobia and the Multicultural Project: Ishmael Reed's Japanese by Spring | 109 |
9 | Academic Nonfiction and the Culture Warriors: "Teaching the Conflicts" in Gilbert and Gubar's Masterpiece Theatre | 127 |
10 | Jane Smiley's Academic Carnival: Rooting for Ethics at Moo U. | 143 |
11 | Conclusion: Ethical Criticism and the Academic Novel beyond the Culture Wars | 156 |
Notes | 164 | |
Bibliography | 188 | |
Index | 202 |
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Add Postwar academic fiction, As a literary genre, academic fiction has emerged in recent years as one ofthe most popular modes for satirizing the cultural conflicts and sociological nuances inherent in campus life. Drawing upon recent insights in ethical criticism and moral philosoph, Postwar academic fiction to the inventory that you are selling on WonderClubX
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Add Postwar academic fiction, As a literary genre, academic fiction has emerged in recent years as one ofthe most popular modes for satirizing the cultural conflicts and sociological nuances inherent in campus life. Drawing upon recent insights in ethical criticism and moral philosoph, Postwar academic fiction to your collection on WonderClub |