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Preface and Acknowledgments | ||
Ch. 1 | In the Darkness | |
I | The Privations of Night and the Origins of Poiesis | 1 |
II | Laughter, Weeping, and the Order of the Senses | 17 |
III | The Lyric Eidos | 38 |
Ch. 2 | Sound | |
I | Dynamics of Poetic Sound | 59 |
II | Hopkins: Invocation and Listening | 90 |
Ch. 3 | Voice and Possession | |
I | The Beloved's Voice | 107 |
II | Three Cases of Lyric Possession | 124 |
Ch. 4 | Facing, Touch, and Vertigo | |
I | The Experience of Beholding | 145 |
II | Touch in Aesthetic Forms | 160 |
III | Vertigo: The Legacy of Baroque Ecstasy | 178 |
Ch. 5 | The Forms and Numbers of Time | |
I | The Deictic Now | 197 |
II | Traces of Human Motion: The Ubi Sunt Tradition | 208 |
III | Meditation and Number: Traherne's Centuries | 227 |
IV | The Problem of Poetic History | 242 |
Ch. 6 | Out of the Darkness: Nocturnes | |
I | Finch's Transformation of the Night Work | 255 |
II | The Emergence of a Nocturne Tradition | 280 |
Ch. 7 | Lyric counter Epic | |
I | War and the Alienation of the Senses | 293 |
II | Two Lyric Critiques of Epic: Brooks and Walcott | 309 |
Afterborn | 327 | |
Notes | 335 | |
References | 389 | |
Index of Poems | 429 | |
General Index | 433 |
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