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Book Categories |
List of Illustrations | ||
Preface: Playing with Time: Art, Puppetry, and Performance | ||
Acknowledgments | ||
Note on Orthography | ||
1 | A Bamana Tonko Festival, Kirango, June 1979 | 1 |
2 | The Definition and History of the Segou Puppet Masquerade Theatre | 18 |
3 | The Sogo bo's Expressive Forms | 58 |
4 | Time, Timing, and the Performance Process | 107 |
5 | Bringing the Past into the Present in Masquerade Theatre | 131 |
6 | The Production of Meaning and the Play of Interpretations | 149 |
Conclusion: Kuma man nyi; Kumabaliya fana man nyi | 186 | |
Notes | 191 | |
Glossary | 205 | |
Masquerade List | 209 | |
Bibliography | 213 | |
Index | 221 |
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Add Playing with time, Twice a year in the central Malian region of Segou, communities put aside daily routines to observe and participate in elaborate puppet masquerades produced by local youth associations. These performances rank among the region's most celebrated artistic e, Playing with time to the inventory that you are selling on WonderClubX
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Add Playing with time, Twice a year in the central Malian region of Segou, communities put aside daily routines to observe and participate in elaborate puppet masquerades produced by local youth associations. These performances rank among the region's most celebrated artistic e, Playing with time to your collection on WonderClub |