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List of illustrations | ||
Acknowledgements | ||
Preface | ||
1 | Introduction | 1 |
2 | Physical conditions | |
a | The amphitheatre playhouses | 13 |
b | The hall playhouses | 22 |
c | Performing conditions | 32 |
d | Auditorium behaviour | 45 |
3 | Social composition | |
a | Social classes in England | 50 |
b | Social classes in London | 55 |
c | Who went where | 60 |
d | Different kinds of playgoer | 73 |
4 | Mental composition | |
a | The mental range | 81 |
b | Audiences or spectators | 86 |
c | Learned ears | 98 |
d | Levels of awareness | 105 |
e | Playgoer reactions | 108 |
5 | The evolution of tastes | |
a | The first paying playgoers, 1567-87 | 119 |
b | Tarlton's followers 1576-88 | 126 |
c | Lyly's special appeal, 1580-9 | 133 |
d | Mass emotion and the Armada, 1588-99 | 136 |
e | Rule, religion and revenge, 1588-99 | 142 |
f | Current affairs, 1588-99 | 145 |
g | Citizen staples and Juliet's rebellion, 1588-1605 | 151 |
h | The war of railing, 1599-1609 | 158 |
i | City comedy, 1599-1614 | 165 |
j | 1609 and the settled hierarchy | 169 |
k | Beeston's Cock and Bull, 1616-30 | 175 |
l | The Blackfriars in the 1630s | 182 |
m | Citizens in the last years, 1630-42 | 188 |
Appendix 1 | Playgoers 1567-1642 | 197 |
Appendix 2 | References to playgoing | 213 |
Notes | 263 | |
Select bibliography | 285 | |
Index | 294 |
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