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| Introduction: Waxworks, Dolls, and Doppelgangers | 7 | |
| 1 | Idols, Myths, and Magic: The Body in Antiquity | 21 |
| The Mother Goddess | 22 | |
| Simplicity and Silence: Cycladic Sculpture | 24 | |
| Xoana: Aniconic Idols | 25 | |
| Kalos thanatos: The Beautiful Death | 28 | |
| Artemis, "Lady of the Beasts" | 30 | |
| Sophrosyne and Self-knowledge | 33 | |
| Perfection Through Numbers | 36 | |
| "An inescapable delight for the vision" | 37 | |
| 2 | The Body Re-born: The Middle Ages | 45 |
| The Body Emerges | 47 | |
| Mary the Mediator | 50 | |
| Opening the Body | 56 | |
| The Body in Perspective | 58 | |
| Donatello: Ancient into Modern | 60 | |
| 3 | The Apotheosis of the Body: Mannerism and Baroque | 67 |
| Surface and Structure: The Body Flayed | 68 | |
| Laocoon: The Body Unearthed | 72 | |
| Cellini: Eight Views of the Body | 74 | |
| The Unfolding Narrative | 76 | |
| Polychromy: The Painter's Hand | 78 | |
| Mystical Visions: The Body in Ecstasy | 83 | |
| 4 | The Sublime Body: The Eighteenth Century | 91 |
| Falconet: The Triumph of the Moderns | 93 | |
| Noble Simplicity: Antiquity Revived | 94 | |
| Collecting the Past | 97 | |
| Illumination and Enlightenment | 102 | |
| Quatremere de Quincy: Polychromy Reassessed | 104 | |
| Neo-classicism in the United States | 105 | |
| An Unsuitable Job for a Woman | 106 | |
| Monuments and Men: The Body in Public | 109 | |
| 5 | The Body in Colour: The Nineteenth Century | 115 |
| "The Warmth of Life": Colour and Controversy | 116 | |
| Waxworks and Auto-icons | 119 | |
| Minerva in France | 122 | |
| The Legacy of Michelangelo | 124 | |
| The Primitive and the Prurient | 125 | |
| The New Sculpture: An English Renaissance | 127 | |
| Crafting the Body: Gilbert, Gerome, Klinger | 128 | |
| Rodin: The Unity of Fragments | 132 | |
| 6 | Abjection and Assemblage: The Body in the Twentieth Century | 137 |
| Expanding Horizons | 139 | |
| Welcome to the Machine | 141 | |
| Space as a Sculptural Element | 145 | |
| Dream, Reality: Surreality | 146 | |
| Surface and Structure | 149 | |
| Truth in Refuse: The Body Assembled | 152 | |
| Disturbing Identity: The Abject and the Uncanny | 156 | |
| Body and Self | 158 | |
| Conclusion | 162 | |
| Timeline | 164 | |
| Bibliography | 168 | |
| Picture Credits | 172 | |
| Index | 173 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add Perspectives Body in Three Dimensions, Throughout history the human figure has been central to art making, and three dimensional sculpture has played a particularly dramatic role. Sculpture, more than the other arts, may claim to represent reality, as myths about speaking statues and romances , Perspectives Body in Three Dimensions to the inventory that you are selling on WonderClubX
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Add Perspectives Body in Three Dimensions, Throughout history the human figure has been central to art making, and three dimensional sculpture has played a particularly dramatic role. Sculpture, more than the other arts, may claim to represent reality, as myths about speaking statues and romances , Perspectives Body in Three Dimensions to your collection on WonderClub |