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Performance Analysis Book

Performance Analysis
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Performance Analysis, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as:, Performance Analysis
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  • Performance Analysis
  • Written by author Edited by Colin Counsell
  • Published by Routledge, 3/15/2001
  • This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as:
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Authors

Preface
Acknowledgements
Pt. 1 Decoding the artefact 1
1.1 The sign: from Course in General Linguistics 3
1.1 The sign: from Collected Papers 10
1.2 Myth: from Mythologies 12
1.3 Structure: from 'The Structural Study of Myth' 17
1.4 The frame: from Frame Analysis 24
Pt. 2 The politics of performance 31
2.1 Ideology: from 'Ideology and the Ideological State Apparatuses' 32
2.2 Epic theatre: from 'The Street Scene' 43
2.3 The postmodern avant-garde: from The Postmodern Condition 49
Pt. 3 Performing gender and sexual identity 57
3.1 Constructing gender I: The property model: from This Sex Which Is Not One 59
3.2 Constructing gender II: The culture/nature model: from 'Sorties' 66
3.3 The drag act: from Gender Trouble 72
3.4 Gestic criticism: from 'Brechtian Theory/Feminist Theory' 77
3.5 Acting camp: from The Politics and Poetics of Camp 86
Pt. 4 Performing ethnicity 95
4.1 The Other: from 'The Economy of Manichean Allegory' 97
4.2 Blackface: from Love and Theft 104
4.3 The resisting viewer: from 'Teaching Resistance' 111
4.4 Orality: from 'De-scribing Orality' 116
Pt. 5 The performing body 125
5.1 Political bodies: from Discipline and Punish 127
5.2 Moving bodies: the mime: from 'The Discourse of (the) Mime' 133
5.3 Transgressive bodies: from 'The Body of Signification' 140
5.4 The body adorned: from Adorned in Dreams 146
Pt. 6 The space of performance 155
6.1 Enacting space: from 'Space and Context' 156
6.2 Locus and Platea: from Shakespeare and the Popular Tradition 164
6.3 Environmental space: from Places of Performance 170
Pt. 7 Spectator and audience 177
7.1 The interactive spectator: from 'Interaction between Text and Reader' 179
7.2 The gaze: from 'Visual Pleasure and Narrative Cinema' 185
7.3 Structure of feeling: from Marxism and Literature 193
Pt. 8 At the borders of performance 201
8.1 Liminal and liminoid: from 'Liminal to Liminoid, in Play, Flow, and Ritual' 202
8.2 The pageant: from Carnival and Theatre 210
8.3 Carnival: from Rabelais and His World 216
8.4 Deep play: from 'Deep Play: Notes on the Balinese Cockfight' 222
Pt. 9 Analysing performance: The Patrice Pavis Questionnaire 229
Bibliography 233
Index 245


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Performance Analysis, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance.
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Performance Analysis, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance.
 The editors put their texts to work in examining such key topics as:, Performance Analysis

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Performance Analysis, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance.
 The editors put their texts to work in examining such key topics as:, Performance Analysis

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