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Introduction | ||
1 | ||
Half-caste | 1 | |
Palm Tree King | 2 | |
Listen Mr. Oxford Don | 4 | |
6 | ||
armillaria mellea | 6 | |
A Pavane on Mr. Wray's Locations | 6 | |
le passage (Morbihan) | 8 | |
9 | ||
Music of the Spheres | 9 | |
Turbulence and Tongue | 10 | |
Critique | 12 | |
13 | ||
Against Numerology | 13 | |
For Tom | 15 | |
16 | ||
Rollercoaster | 16 | |
20 | ||
Five Poems: "as I walked out early" | 20 | |
Five Poems: "our boat touches the bank" | 21 | |
Five poems: "a blessing on the house" | 22 | |
Five Poems: "sit for a while on a stone" | 23 | |
Five Poems: "the shadow extends the tree" | 24 | |
25 | ||
from Beethoven Today | 25 | |
Hymn to the Sacred Mushroom | 26 | |
from Processual Four | 27 | |
from Prosexual | 28 | |
Bird Bee | 29 | |
30 | ||
The Prayers | 30 | |
35 | ||
Music of the Altai Mountains | 35 | |
When Suzy Was | 37 | |
In the Red Book | 38 | |
40 | ||
Loopy Dupes | 40 | |
Driftwood and Seacoal | 43 | |
The Heifer | 44 | |
45 | ||
Mama Dot | 45 | |
Obeah Mama Dot (her remedies) | 46 | |
Mama Dot Warns Against an Easter Rising | 47 | |
Airy Hall Iconography | 48 | |
Sound Bite | 49 | |
Langston | 50 | |
An English Sampler | 51 | |
53 | ||
Five Nocturnes, after Derek Jarman | 53 | |
Good Science | 55 | |
from 3600 Weekends: Lexically | 57 | |
from 3600 Weekends: Provisionally | 57 | |
from 3600 Weekends: Unconsciously | 58 | |
59 | ||
Scaring Hens | 59 | |
Reds in the Bed | 60 | |
Marks The English Left On The Map | 61 | |
How Callum Innes Paints | 61 | |
Why Do You Want To Be English? | 62 | |
63 | ||
African Boog | 63 | |
Birdland | 68 | |
from Stepping Out: Stepping Out: 1 | 71 | |
from Stepping Out: Progressions of Spacetime: 1 | 71 | |
from Stepping Out: Rims of Distinction: 1 | 72 | |
from Stepping Out: Stepping Out: 2 | 72 | |
from Emergent Manner: Machynlleth | 73 | |
from Emergent Manner: The Diary Theme | 73 | |
from Emergent Manner: Murder One | 74 | |
from Emergent Manner: The Ditchley Portrait | 74 | |
75 | ||
from The Cut Pages | 75 | |
The Burning Graves at Netherton | 76 | |
Rules and Ranges for Ian Tyson | 78 | |
80 | ||
Richard II | 80 | |
Lemon and Rosemary | 81 | |
82 | ||
TM | 82 | |
from Dents | 84 | |
85 | ||
Song 9 | 85 | |
an answer to Herrick | 85 | |
orange birch bolete (Leccinum versipelle) from Forty Fungi | 86 | |
Song for Annie | 86 | |
88 | ||
Venerating Senses Save Us | 88 | |
One's Country | 90 | |
The Emperor | 91 | |
Night Sky Hiss | 91 | |
92 | ||
For P-Celtic: found text from Machen | 92 | |
from Building: The New London Hospital: Fragment 1 | 93 | |
from Building: The New London Hospital: Fragment 4 | 93 | |
from Building: The New London Hospital: Shepherd's Calendar | 94 | |
from Building: The New London Hospital: Fragment 9 | 94 | |
from Building: The New London Hospital: Fragment 11 | 95 | |
from Building: The New London Hospital: Fragment 12 | 96 | |
from Building: The New London Hospital: Fragment 13 | 96 | |
from Building: The New London Hospital: Fragment 18 | 96 | |
from Building: The New London Hospital: Shepherd's Calendar cont'd | 97 | |
The Ship | 97 | |
South Song | 98 | |
99 | ||
Device: One Law for the Lion & the Fox | 99 | |
from A Robin Hood Book: XXI-XXIV | 100 | |
Device: Winter | 104 | |
105 | ||
A Poem for Writers | 105 | |
Czech Dream | 106 | |
109 | ||
from Continual Song: 01/84 | 109 | |
from Continual Song: 30/55 | 110 | |
from Continual Song: No Bloody Matter (43/42) | 110 | |
from Continual Song: 84/01 | 111 | |
113 | ||
Primula veris | 113 | |
Mutability Checkers | 113 | |
The Size of This Universe | 114 | |
116 | ||
Bye Bye Blackbird | 116 | |
Sister Midnight | 116 | |
Shakin All Over | 118 | |
Idyl | 120 | |
122 | ||
from Rainbow Dragon Trilogy: Oil on Troubled Waters (The People's Calypso) | 122 | |
126 | ||
Mi Revalueshanary Fren | 126 | |
129 | ||
100 Differences Between Poetry and Prose | 129 | |
song | 130 | |
The Evidence | 130 | |
opting for early retirement | 131 | |
First Poster Poem against the Criminal Injustice Bill | 133 | |
134 | ||
A Path Marked with Breadcrumbs | 134 | |
No Transport | 135 | |
from Assembly Point D | 136 | |
138 | ||
Like Pornography | 138 | |
Blue Sky in Morning | 138 | |
square | 139 | |
Category Mistakes in Biochemistry | 139 | |
140 | ||
Ode Long Kesh | 140 | |
Flame Ode | 140 | |
Ode | 141 | |
Far Cliff Babylon | 142 | |
from Pearl: Pearl Says | 146 | |
from Pearl: The Shells Her Auburn Hair Did Show | 147 | |
from Pearl: Pearl Alone | 148 | |
150 | ||
Ballad: Of Motion | 150 | |
153 | ||
CS | 153 | |
AC | 153 | |
South Bound: Facing North | 154 | |
La Tormenta | 155 | |
158 | ||
Elegy 11: Ford | 158 | |
Zuni Dancers | 160 | |
163 | ||
Nevrazumitelny | 163 | |
166 | ||
Long-Man | 166 | |
Black | 168 | |
White | 169 | |
170 | ||
The Oracle of the Drowned | 170 | |
"u", "je", "r", "r", "im", "a", "finally" | 171 | |
A Little Night | 172 | |
Walnut and Lily | 173 | |
175 | ||
A Lesson from the Cockerel | 175 | |
2nd Lesson from the Cockerel | 175 | |
Narrative Charm for Ibbotroyd | 176 | |
Hill Figures | 176 | |
Giant Yellow | 178 | |
184 | ||
The Devil's Destroying Angel Exploded | 184 | |
Bush Telegram | 185 | |
What Maks Makems | 186 | |
mY peN | 187 | |
190 | ||
from Songs for the Sleepless | 190 | |
Hard To Place | 191 | |
The Snoad Hill Poems | 192 | |
198 | ||
Future Models May Have Infra-Red Sensors | 198 | |
That More Simple Natural Time Tone Distortion | 199 | |
Dark Senses | 202 | |
Out of a Sudden | 204 | |
205 | ||
The Doll Museum | 205 | |
211 | ||
Lure, 1963 | 211 | |
A Misremembered Lyric | 211 | |
from Seven Strangely Exciting Lies: i Take Two of these Tablets Tonight and in the Morning Go on Living | 212 | |
from Seven Strangely Exciting Lies: vi Flip flop | 213 | |
from Seven Strangely Exciting Lies: vii Disintegrate me | 213 | |
215 | ||
at the Stanley Spencer exhibition | 215 | |
travel notes | 215 | |
summer seeming | 215 | |
218 | ||
Elf Shots | 218 | |
from Alstonefield V | 219 | |
E Questa Vita Un Lampo | 222 | |
223 | ||
Variations | 223 | |
231 | ||
'This Curious Involvement, A Dominant Species' | 231 | |
During War, The Timeless Air | 232 | |
'From Escomb, County Durham': July 1990 | 232 | |
Sofia | 233 | |
"shadow of the gable-end" | 234 | |
235 | ||
from Roxy: 23 | 235 | |
from Roxy: 47 | 236 | |
from Roxy: 52 | 237 | |
238 | ||
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1905 | 238 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1936: The Proletarian News | 238 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1944 | 239 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1954 | 239 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1968 | 240 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1987 | 240 | |
from Empty Diaries / Twentieth Century Blues 24: Empty Diary 1990 | 241 | |
243 | ||
The First English Wildcat | 243 | |
Pallid Harrier | 243 | |
from Shots at Otters | 244 | |
Grey Wagtail on the Tyne | 245 | |
246 | ||
from The Ebbing of Kraft: ocean estate | 246 | |
from The Ebbing of Kraft: snow lip | 247 | |
from The Ebbing of Kraft: world's oldest comedian is dead | 248 | |
from The Ebbing of Kraft: a serious of photographs | 249 | |
250 | ||
Acrospirical Meanderings in a Tongue of the Time | 250 | |
"It Is Difficult to Exaggerate the Importance of Mushrooms as Food" | 251 | |
252 | ||
Residues: Thronging the Heart | 252 | |
There are Words | 255 | |
Takings | 256 | |
257 | ||
Nearly Nowhere | 257 | |
from Pitch Part Three | 258 | |
from A Wait | 262 | |
264 | ||
Speak | 264 | |
The sun | 264 | |
Biobibliographies | 267 |
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Add Other, This highly focused anthology brings together several important strands of the vibrant alternative poetry produced in the UK since 1970. It includes work by 55 poets, among them Fred d'Aguilar, Ulli Freer, Wendy Mulford, Tom Raworth, Denise Riley and Alan, Other to the inventory that you are selling on WonderClubX
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Add Other, This highly focused anthology brings together several important strands of the vibrant alternative poetry produced in the UK since 1970. It includes work by 55 poets, among them Fred d'Aguilar, Ulli Freer, Wendy Mulford, Tom Raworth, Denise Riley and Alan, Other to your collection on WonderClub |