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| Director's Foreword | IX | |
| Acknowledgments | XI | |
| 1 | American Early Modern Artists, Vaudeville, and Film | 3 |
| 2 | It Begins with the Lights: Electrification and the Rise of Public Entertainment | 45 |
| 3 | "A Decided Sensation": Cinema, Vaudeville, and Burlesque | 61 |
| 4 | Setting the Stage for Motion Pictures | 91 |
| 5 | In Order: Fragmentation in Film and Vaudeville | 107 |
| 6 | Charles Demuth's Vaudeville Watercolors and the Rhythm and Spectacle of Modern Life | 123 |
| 7 | Edward Hopper and the Theater of the Mind: Vision, Spectacle, and the Spectator | 137 |
| 8 | Everett Shinn and the Intimate Spectacle of Vaudeville | 157 |
| 9 | City, Stage, and Screen: John Sloan's Urban Theater | 175 |
| 10 | "A Company of Ghosts, Playing to Spectral Music": Gesamtkunstkino and the Future of Digital Cinema | 189 |
| Selected Bibliography | 202 | |
| Notes on the Authors | 214 | |
| Index | 216 | |
| Photo Credits | 220 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art, American artists in the early decades of the twentieth century found rich inspiration in vaudeville halls, revue theaters, and moving-picture houses. The spectacular new visual attractions in these venues, emerging partly as a result of such technological, On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art to the inventory that you are selling on WonderClubX
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Add On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art, American artists in the early decades of the twentieth century found rich inspiration in vaudeville halls, revue theaters, and moving-picture houses. The spectacular new visual attractions in these venues, emerging partly as a result of such technological, On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art to your collection on WonderClub |