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On Record: Rock, Pop and the Written Word Book

On Record: Rock, Pop and the Written Word
On Record: Rock, Pop and the Written Word, , On Record: Rock, Pop and the Written Word has a rating of 2.5 stars
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On Record: Rock, Pop and the Written Word, , On Record: Rock, Pop and the Written Word
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  • On Record: Rock, Pop and the Written Word
  • Written by author Simon Frith
  • Published by Taylor & Francis, Inc., August 2000
  • Did you know that Jean-Paul Sartre once wrote an essay on the Top 40? Simon Frith and Andrew Goodwin, both writers and teachers of popular music, have compiled the first comprehensive survey of critical approaches to pop music. Usefully divided by general
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Authors

Preface; Part One: Groundworks; Listening to Popular Music, David Riesman; The Dialogue of Courtship in Popular Song, Donald Horton; The Young Audience, Stuart Hall and Paddy Whannel; Part Two: From Subcultural to Cultural Studies; The Golden Age, Paul Willis; Style as Homology and Signifying Practice, Dick Hebdige; Settling Accounts with Subcultures: A Feminist Critique, Angela McRobbie; Defending Ski-Jumers: A Critique of Theories of Youth Subcultures, Gary Clarke; Characterizing Rock Music Culture: The Case of Heavy Metal, Will Straw; Is There Rock After Punk? Lawrence Grossberg; Part Three: The Organization of the Music Business; Processing Fads and Fashions: An Organization-Set Anlaysis of Cultural Industry Systems, Paul M. Hirsch; Cycles in Symbol Production: The Case of Popular Music, Richard A. Peterson and David G. Berger; Patterns of Change, Roger Wallis and Krister Malm; Part Four: The Creative Process; The Production of Success: An Antimusicology of the Pop Song, Antoine Hennion; From Craft to Art: The Case of Sound Mixers and Popular Music, Edward R. Kealy; The Realities of Practice, H. Stith Bennett; How Women Become Musicians, Mavis Bayton; Sample and Hold: Pop Music in the Digital Age of Reproduction, Andrew Goodwin; Part Five: Musicology and Semiotics; Start Making Sense! Musicology Wrestles with Rock, Susan McClary and Robert Walser; The Grain of the Voice, Roland Barthes; On Popular Music, Theodor W. Adorno; Second Thoughts on a Rock Aesthetic: The Band, Andrew Chester;Jingle: Pepsi-Cola Hits the Spot, Mark W. Booth; Listen to MeDave Laing; Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music, Barbara Bradby; Part Six: Music and Sexuality; Rock and Sexuality, Simon Frith and Angela McRobbie; Sexing Elvis, Sue Wise; Teenage Dreams, Sheryll Garratt; In Defense of Disco, Richard Dyer; Afterthoughts, Simon Frith; Part Seven: Reading the Stars; Rock Music, the Star System, and the Rise of Consumerism, David Buxton; Rocket to Russia, Tom Carson; In Praise of Kate Bush, Holly Kruse; New Pop and Its Aftermath, Simon Reynolds; Corrupting the Absolute, Greil Marcus; Part Eight : Last Words: The Fans Speak; Starlust, Fred Vermorel and Judy Vermorel; Acknowledgements


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