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Acknowledgments | 9 | |
Introduction | 11 | |
1 | "An Artist in Refusing" | 17 |
2 | Moore's "High" Modernism: A Comparison With Her Male Peers | 30 |
3 | "Adverse Ideas": From Bryn Mawr to Early "Observations" | 49 |
4 | "Agreeing Difference": Middle "Observations" | 83 |
5 | "No Weather Side": A Sustained Achievement | 111 |
6 | "Overstatement": The Later Poems and a Diminished Vision | 140 |
Afterword | 165 | |
Notes | 169 | |
Selected Bibliography | 186 | |
Index | 193 |
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Add Omissions are not accidents, Feminist literary criticism has been able to discuss the significance of a woman writer's gender to her literary production most propitiously by analyzing its representation of gender and of gender issues. But for women writers, such as Marianne Moore, wh, Omissions are not accidents to the inventory that you are selling on WonderClubX
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Add Omissions are not accidents, Feminist literary criticism has been able to discuss the significance of a woman writer's gender to her literary production most propitiously by analyzing its representation of gender and of gender issues. But for women writers, such as Marianne Moore, wh, Omissions are not accidents to your collection on WonderClub |