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| Preface: Informing cultural studies: a politics of betrayal? | ||
| Acknowledgments | ||
| Introduction: Oral/sexual discourse in Jamaican popular culture | 1 | |
| 1 | 'Me know no law, me know no sin': transgressive identities and the voice of innocence: the historical context | 19 |
| 2 | 'Culture an tradition an birthright': proverb as metaphor in the poetry of Louise Bennett | 37 |
| 3 | That cunny Jamma oman: representations of female sensibility in the poetry of Louise Bennett | 47 |
| 4 | Words unbroken by the beat: the performance poetry of Jean Binta Breeze and Mikey Smith | 68 |
| 5 | Writing oral history: Sistren Theatre Collective's Lionheart Gal | 87 |
| 6 | Country come to town: Michael Thelwell's The Harder They Come | 96 |
| 7 | Chanting down Babylon: Bob Marley's song as literary text | 117 |
| 8 | Slackness hiding from culture: erotic play in the dancehall | 136 |
| 9 | From 'centre' to 'margin': turning history upside down | 174 |
| Appendix 1: Proverbs from Louise Bennett | 200 | |
| Appendix 2: Jamaican proverbs: a gender perspective | 202 | |
| Bibliography | 205 | |
| Index | 210 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Bobby Sullivan
reviewed Noises in the Blood: Orality, Gender, and the Vulgar Body of Jamaican Popular Culture on February 07, 2015
Noises in the Blood
This book really lacked detail and understanding of punk. Definitely could have been done better. The author's discussion of anarcho-punk and anti-authoritarian politics/views within punk was especially weak.
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Add Noises in the Blood: Orality, Gender, and the Vulgar Body of Jamaican Popular Culture, The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper , Noises in the Blood: Orality, Gender, and the Vulgar Body of Jamaican Popular Culture to the inventory that you are selling on WonderClubX
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Add Noises in the Blood: Orality, Gender, and the Vulgar Body of Jamaican Popular Culture, The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper , Noises in the Blood: Orality, Gender, and the Vulgar Body of Jamaican Popular Culture to your collection on WonderClub |