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New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series) Book

New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)
New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series), James Clifford tells us that modernism has become a traveling culture because it reflects the discrepant cosmopolitanism of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha, New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series) has a rating of 3.5 stars
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New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series), James Clifford tells us that modernism has become a traveling culture because it reflects the discrepant cosmopolitanism of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha, New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)
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  • New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)
  • Written by author Charles W. Pollard
  • Published by University of Virginia Press, August 2004
  • James Clifford tells us that modernism has become a "traveling culture" because it reflects the "discrepant cosmopolitanism" of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha
  • Caribbean poets Walcott and Brathwaite took US poet Eliot (1888-1965) as a major, though not exclusive, model for what modernism was, says literature scholar Pollard (John Brown U.). They were coming into the prime of their writing careers as he was endin
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Authors

1Postcolonial modernism/modernist postcolonialism15
2"Not borrowers, but bearers of a tradition"41
3Listening to Eliot : poetic revolution and common speech79
4Public poets139


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New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series), James Clifford tells us that modernism has become a traveling culture because it reflects the discrepant cosmopolitanism of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha, New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)

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New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series), James Clifford tells us that modernism has become a traveling culture because it reflects the discrepant cosmopolitanism of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha, New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)

New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)

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New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series), James Clifford tells us that modernism has become a traveling culture because it reflects the discrepant cosmopolitanism of the twentieth century – that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perha, New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)

New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite ( New World Studies Series)

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