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Plays and Films Featured in Chapters vi
List of Illustrations vii
Preface ix
Acknowledgments xi
Introduction: New Wave Shakespeare on and off Screen 1
Beyond Branagh and the BBC 9
Adaptation as a Cultural Process 25
Conceptual and critical resources
Revival
Recycling
Hamlet Rewound 45
Anachronism
Tradition and "modernity"
Remediation and memory
New media
Underground cinema
Colliding Time and Space in Taymor's Titus 69
Allusion
Interpolation
Citational environments
Conceptual art
Ghosting
Surrogation
New media
Expressionist film
Vernacular Shakespeare 97
Parody, burlesque, and masquerade
Docudrama
Popular culture
Sound
Riffing
Sampling
Channeling Othello 120
Televisuality
Surrogation
Character function and effect
Voice-over
Race and performance
Surviving Shakespeare: Kristian Levring's The King is Alive 142
Documentary and experimental film
Voice-over
Cultural memory
Character function and effect
Subtitles
Substitution and translation
Notes 165
References 175
Resources 190
Index 192
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Add New Wave Shakespeare on Screen, The past fifteen years have witnessed a diverse group of experiments in staging Shakespeare on film. New Wave Shakespeare on Screen introduces and applies the new analytic techniques and language that are required to make sense of this new wave. Drawing, New Wave Shakespeare on Screen to the inventory that you are selling on WonderClubX
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Add New Wave Shakespeare on Screen, The past fifteen years have witnessed a diverse group of experiments in staging Shakespeare on film. New Wave Shakespeare on Screen introduces and applies the new analytic techniques and language that are required to make sense of this new wave. Drawing, New Wave Shakespeare on Screen to your collection on WonderClub |